https://www.beverleysommervilleceramics.studio/news daily 0.75 2020-11-30 https://www.beverleysommervilleceramics.studio/news/Blog Post Title One-b35k8 monthly 0.5 2020-08-27 https://www.beverleysommervilleceramics.studio/news/blog-post-title-two-6hgk4 monthly 0.5 2020-05-20 https://www.beverleysommervilleceramics.studio/news/blog-post-title-three-3d8c9 monthly 0.5 2020-05-20 https://www.beverleysommervilleceramics.studio/news/blog-post-title-four-k56nd monthly 0.5 2020-11-30 https://www.beverleysommervilleceramics.studio/news-1 daily 0.75 2021-02-24 https://www.beverleysommervilleceramics.studio/news-1/event-four-magpz monthly 0.5 2020-06-24 https://www.beverleysommervilleceramics.studio/news-1/event-one-hgyzs monthly 0.5 2020-05-20 https://www.beverleysommervilleceramics.studio/news-1/event-five-leh66 monthly 0.5 2020-06-24 https://www.beverleysommervilleceramics.studio/news-1/event-three-ddj36 monthly 0.5 2020-06-24 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https://www.beverleysommervilleceramics.studio/events-2-1/event-three-cj4dc monthly 0.5 2024-12-16 https://www.beverleysommervilleceramics.studio/events-2-1/event-two-ka9nc monthly 0.5 2024-12-16 https://www.beverleysommervilleceramics.studio/blog-3-1 daily 0.75 2025-10-14 https://www.beverleysommervilleceramics.studio/blog-3-1/blog-post-title-one-f7f99 monthly 0.5 2025-10-14 https://www.beverleysommervilleceramics.studio/blog-3-1/blog-post-title-two-48rlm monthly 0.5 2020-05-19 https://www.beverleysommervilleceramics.studio/blog-3-1/blog-post-title-three-pt3en monthly 0.5 2020-05-19 https://www.beverleysommervilleceramics.studio/blog-3-1/blog-post-title-four-yj34k monthly 0.5 2020-05-19 https://www.beverleysommervilleceramics.studio/home daily 1.0 2025-07-09 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1606511652714-55SXZNFHZLKSR59QV7BH/output+1.jpg home - hello beverley sommerville is a studio potter and ceramic artist. her focus is on wheel thrown forms inspired by her global travels and experiences of the land and cityscapes she inhabits. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1606838597130-BV7Y697BOZRYMZAKHAKB/IMG_4636+bw.jpg home - matter one aspect of her ceramic practice engages with ideas of material, place and the nomadic. gathering materials from the cultures and places that inspire her and adding these into the clay that she works with. this body of work is known as matter https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1606825849577-RPK9QLE892DJ0GZW9PB6/IMG_5689+cpd.jpg home - nomatter as a studio potter nomatter focuses on form, detail and the development of a coherent visual ceramic language. functional and tactile in nature, it exists to be held and used. https://www.beverleysommervilleceramics.studio/our-story daily 0.75 2025-07-09 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607615925213-OEZSDC6FML1TRQ532GTQ/01.square.jpeg about her ceramic practice engages with material, place and nomad, as a reflection on, and a reaction to these nomadic journeys. materials, cultural philosophies and experiences are gathered, translating the places that inspire her into the made object. making tangible connections between place, memory and moments of time. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607616747515-T6VNYMOLS3RGE96FD2NF/IMG_5487.jpeg about the continuous development of a palette of material, colour, texture and form, coalescing physical particles into unique clay bodies. permanently capturing the essence and experience of the place within the object itself – ‘material nomad’. https://www.beverleysommervilleceramics.studio/new-page daily 0.75 2020-11-18 https://www.beverleysommervilleceramics.studio/new-page-1 daily 0.75 2022-12-02 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1606777555670-4VT9WV54HVUKOKJWS5VG/Material+01.jpg matter - raw materials initially the materials are in a raw stage and so i take them through a refinement process before i begin to add them into the clay. if wet i begin the process by letting the materials dry out thoroughly. the materials are then crushed, which can take a large amount of energy as some of the materials begin life as larger rocks. once crushed it is then washed, and rinsed through. then the material is divided into different particle sizes from fine dust to larger particulate, giving varying results through the making and firing activities. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607605218754-S89MQM38D962I8J1WRXX/empirical+.jpg matter - empirical i then add the processed materials into the clay. here i will also vary the amounts added as this changes the density of material. then the clay is ready to use and testing begins. the materials are added to different clays and fired at varying temperatures, with and without glazes so that i can try to understand how the clay and material will respond and what the end result will be. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607966057071-NCGI3XT0O1ZVLKU5N4AC/DSC07602.jpg matter - alchemy my whole making process is one of alchemy. gathering simple materials and combining these with clay to create unique pieces of still life, installation or one-off forms. identifying place by capturing time or storytelling, through the materiality of the piece i give some permanence to those ephemeral moments. https://www.beverleysommervilleceramics.studio/new-page-2 daily 0.75 2022-12-02 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607896838019-Z683EMNG5Y3ZKRKF3E61/IMG_3265_crpd.jpg nomatter - the echo of memory i take inspiration from my nomadic travels, by interpreting the land and cityscapes I pass through. echoing the strata of materials within a hillside or lines and patterns made from the shadows created within a building to give pattern and texture to a ceramic surface. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607897989767-SWFH82BL0SIBI9XYQ0CE/IMG_5691.jpg nomatter - translated into clay i contrast these elements with the form itself. rather than cover the entire surface, i will only add texture to certain areas. likewise i will only glaze the interior and some of the exterior body. this allows me to add another dynamic layer to the form - playing on the weight and balance of the piece, as well as adding an understanding of purpose and function. these developing elements create a coherent visual language within the ceramic pieces. https://www.beverleysommervilleceramics.studio/story daily 0.75 2020-11-19 https://www.beverleysommervilleceramics.studio/general-4 daily 0.75 2021-04-03 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607610191972-G8HP2B50JO8ROPTJ82SN/DSC00944.JPG iceland - the black beach iceland is home to a seismic landscape - active volcanoes, spouting geysers, thermal springs and frequent earthquakes. while above ground the landscape continues to change with the shifting ice of glaciers, spectacular waterfalls and icebergs strewn along black beaches. so many natural wonders - and this is before you look up to the stars, with a vista of light from the aurora borealis dancing in the sky - as I said I have fallen deeply……. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607873293355-ADUIP78UP3TEBLY1VE8G/Bev+Sommerville+.jpg iceland - the black beach while on a road trip from reykjavik to jökulsárlón, the glacial lake where glacier breiðamerkurjökull sends icebergs out into the atlantic ocean, we stopped at vik a small village at the southern end of Iceland. it was then that we discovered the black beach at reynisfjara. not only a place of natural beauty but of great legend, and it is this idea of the telling of histories and stories that I feel is so fundamental to this work, my own icelandic sagas. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607876730024-L3H3K5RA5T78WT9YJOQM/DSC07678_crpd+v3.jpg iceland - the black beach as i handle and add the gathered materials and feel them through the soft texture of the clay, i am filled with memory. the smell, taste and sound of the ocean as it’s waves crashed against the basalt beach, the sea stacks standing on the horizon and how small and humble i felt in the presence of such nature. through the physicality of touch, i am re-connected to the place, sometimes losing myself in that moment of making. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607877390194-KZT5NH867RHQQ5HL44TK/DSC01768+V2.jpg iceland - the black beach it is not only iceland’s landscapes that interest me but the Icelanders themselves. their own relationship and connectedness to this landscape, the fire and ice that runs in their veins. I am often sent materials by my icelandic friends - this included some black sands from the grotta – seltjarnarnes region and also some bottles of volcanic ash that were retrieved from the eruption of the eyjafjallajökull volcano in 2010. . https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607876808313-8FLLQ57N0RIBJF8MNGXF/DSC01995_crpd+v4.jpg iceland - the black beach the bottle’s label advises that the ash and lava ‘should be looked at once a month to refresh memories from iceland’. this simple gesture demonstrates just how connected icelanders are to the land and nature that surrounds them. i have used both the sands and the ash within compositional, still life work and one-off forms. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617468971937-KE0KIJ0L3DF2Q0AOKP5A/04.BSommerville_Icelandic+Gatherings.jpg iceland - the black beach these three images of piece called ‘icelandic gatherings’. it is a number of porcelain vessels standing on a plinth of black heavily grogged stoneware. the individual porcelain vessels have had materials added to them, i have used black sands from reynisfjara beach and ash and lava from the eyjafjallajökull volcano. i wanted to portray my own understanding of iceland and its islanders, how people can be perceived as being different but at their core they have a fundamental connection to a place, to this island and its nature. as the material is limited and precious i wanted to keep the scale of the individual pieces small, but when bought together give strength and meaning to the composition. https://www.beverleysommervilleceramics.studio/shop daily 0.75 2022-04-14 https://www.beverleysommervilleceramics.studio/united-kingdom-mountskill-quarry daily 0.75 2021-04-03 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607604584778-XRBGQMY5AY8BZU3LN2TD/material+04+cpd.jpg united kingdom - mountskill quarry some of the triassic sandstone recovered from the quarry was excavated from a building site that had been cut into the rock surface. this exposed the strata formations and enabled me to extract material that was in a pristine state - having not been exposed to the environment since triassic times - no pollutants had affected the sandstone. adding these triassic materials into the clay becomes a continuation of their own geological journey. as part of the throwing and firing techniques, they go through processes of extraction, suspension and compression and through periods of heating and cooling. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607606068126-YW0FT43JJSMN04DTV0OZ/DSC07298+cpd.jpg united kingdom - mountskill quarry the sandstone has three very distinct colours running through it, identifying varying amounts of lime and iron - although these are lost through the making and firing processes. i use the clay with the quarry materials to make compositional work using narratives of a historical and social context and in the making of one-off forms. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617457881959-NNZI5PBCNST2MB37YCYI/DSC03223.jpg united kingdom - mountskill quarry how i treat the gathered materials before i add them to the clay and how i add them can give very different results. for this one-off vessel i did not over process the triassic materials from the quarry, instead choosing to leave them in a raw state before adding them into the clay. i also left the outer surface unglazed which allowed the different particle sizes and materials to erupt and be more exposed, so one can keep discovering things about the vessel. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617459675257-JT9NV3M3POO7T1WMC7AR/DSC03215.jpg united kingdom - mountskill quarry this close up of another one-off triassic quarry piece shows in more detail the surface texture. here the glazed interior of the vessel gives a gloss finish while the unglazed exterior is left with a very textured, tactile granular quality. this allows a very direct and immediate connection to the quarry and the triassic materials, to a time and a place. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607608520708-GLVLO9MWA6B5AN9IJ2EY/IMG_4734+lighter.jpg united kingdom - mountskill quarry i had processed and refined some wild clay, excavated from our allotment in helsby. having added this into a porcelain form, the results were beautiful. as the wild clay fires at a lower temperature than the high fired porcelain it melted, causing some movement in the form. i have recently been out to the village’s surrounding fields and have discovered and excavated more clay, which is currently drying out. i can then begin to process the materials - once processed i will begin to test the clay and record what happens here on my website. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617467262759-UGQHO9ZNAGLY648M64R4/DSC03011.jpg united kingdom - mountskill quarry a close up detail of the above vessel which shows how the wild clay becomes so much more fluid than the porcelain at the high temperature. it has a glass quality to it which is exaggerated more by the unglazed exterior of the form, clearly defining the differences in the materials. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617467767275-K8GHHYVD77S5TZTVXI2L/DSC03015.jpg united kingdom - mountskill quarry this interior shot of the same vessel shows how the wild clay reacts with the glazed surface, as it bleeds into the glaze along its edge, this contrasts beautifully with the sharpness of the finer exterior line. the piece though not large in physical size contains so many details. https://www.beverleysommervilleceramics.studio/united-kingdom-manchester-london-road daily 0.75 2020-12-14 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607693093791-XY15LRUN57ZHBEI7E6EB/02.B.Sommerville_Memory+and+Material_2018_Apartment+Interior+%2321.jpg united kingdom - manchester, london road originally exhibited at noma in manchester in 2018, as part of the ‘london road fire station project’ and the manchester histories festival. it was a heritage project that was led by jenny walker, artist and creative producer, in partnership with greater manchester fire service museum, in rochdale and allied london. the project is an oral history of one of manchester’s most iconic buildings, that has been home to firemen and their families since 1906 - serving as the city’s central fire station. the project’s focus was to record the building and the lives of those that had lived there, through interviews and site visits of former residents and staff, recording their memories and reactions to the building. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607693125069-2QTZZP3H4JXE7ZY7OEX5/03.B.Sommerville_Memory+and+Material_2018_1m2_Terracotta+and+Porcelain+Clay+with+added+materisl.jpg united kingdom - manchester, london road london road identified as a static place - it is the people that lived and worked there that were transient, and it is the memories of the interviewed residents and workers, and the building itself, that the piece responds to, interpreting the physical and emotional connections between them. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607962470053-SL0VFS22A16I3Z9XUB9Y/08.B.Sommerville_Memory+and+Material_2018_6cmx20cm_Terracotta+Clays+Detail.jpg united kingdom - manchester, london road combining freestanding porcelain and terracotta wheel thrown forms, that reference shapes from the building’s architecture and unique layout. the terracotta clay echoes burmantofts tiles and accrington brickwork, elements fundamental to the architecture, materiality and identity of the building and therefore the people. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607962511203-H9PKIJP92A5MPQW1R9X5/07.B.Sommerville_Memory+and+Material_2018_8cmx12cm_Porcelain+with+added+materials+Detail.jpg united kingdom - manchester, london road the porcelain forms have texture from the materials added to the clay. the materials added into the porcelain are soot, ash and brick dust, collected from the fireplaces of the apartments. creating a tangible connection between the personal histories, and moments in time, - capturing and embedding place. using materials and fragments from the hearths and the remnants of fires burnt, the very essence of the building, and the firemen who worked there are also rooted within the piece. https://www.beverleysommervilleceramics.studio/united-kingdom-skye-the-black-beach daily 0.75 2020-12-14 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607878731380-B53WOKSNSKBM4GLW7MEZ/DSC01924+cpd.jpeg united kingdom - skye, the black beach i have just begun to test some of the materials gathered from the beach on the banks of loch pooltiel, in order to try and understand how it will react in the porcelain and its high firing temperatures. working with clay is not for the faint hearted - it is an emotional roller coaster ride - reaching the extremes, from absolute joy and surprise it can change to complete despair - an aspect of the craft that i enjoy. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607878758512-C5A2M1W2B9WV5B9MB3J0/DSC01925_crpd.jpg united kingdom - skye, the black beach the materials have a much lower melting point than the porcelain. i have lost a few kiln shelves as pieces have melted and became stuck to the shelf. to avoid this, i plan to make forms from two pieces - so only the base is porcelain and i will then add the materials into the walls - or as a way to attach pieces together. the testing and making continues….. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607643146492-SDYV38SMPD737C40O3ZJ/IMG_0124.jpg united kingdom - skye, the black beach waterfalls flowing upwards onto the rolling peninsula - the roar of the wind surrounding you. then the calmness of a rainbow as the brightness of the sun reflects on the dark waters of the loch - it is a complete sensual experience. the sky feels so large as it embraces the island in a love hate relationship. spending time on the island fills me with such joy and is a very emotive place for me, it is like spending time at the end of the world. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607874548259-S8LEZXDEZ7UCM4BQ60YM/DSC01836_crpd.jpg united kingdom - skye, the black beach we have celebrated milestone birthdays here, in the winter months, hunkered down with log fires blazing, while storms rage outside. it is from these fires that i have gathered the ashes - treasures from our trips, capturing moments. i will now begin to process the ashes. i will use them as raw materials in the clay and i also plan to add them into an ash glaze, continuing the journey of material, place and memories experienced. https://www.beverleysommervilleceramics.studio/lithuania-vilnius daily 0.75 2021-04-03 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607705950716-QS5O17K6SM8RKASZTZLW/IMG_6578.jpeg lithuania - vilnius it was during his time that i met maya kitti, who is also a fellow nomad and potter. once a week i and maya, would visit the center. each thursday we would slip slide our way to the center through the february snow and ice - worth every step, for the time we could spend ‘making’ - sharing the home crafted wheel. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607705986853-3FY6FKI6VKAF6BXZOX31/IMG_7312.jpeg lithuania - vilnius as we would take it in turns, wheel vibrating and shaking our very core, using our feet to apply pressure to slow or speed up the wheel, we would laugh and smile and simply enjoy every moment. learning new skills from each other and adapting to new materials and a very different making environment. as these were new materials and firing methods to us, we did not have any clear expectations, we were content to get our hands in the clay - so we were completely overwhelmed by the results - deep black colours with blue and metallic undertones, they were beautiful. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607706016794-X8PJDX9UN6U7XW72L374/IMG_8053.jpeg lithuania - vilnius on my return home to the uk and my own workshop, i wanted to crush some of the pieces to see what had happened to the clay. i had ideas of making pieces at home as i reflected on my lithuanian journey and experiences. once crushed i bisque fired some of the material, as i felt that this would burn away any oils making it more stable. this was then added to some audrey blackman porcelain. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617472027755-HKDBKYJEHMGIFAQ0GH63/DSC02946.jpg lithuania - vilnius this vessel is entitled ‘vilnius tales’ the title refers to the adventures i had whilst in vilnius in lithuania, discovering a place to make, new materials, techniques and meeting the makers. the materials had seeped into the clay and glaze creating flecks throughout the forms. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617484312389-OE9LGMLQU7N68GMGUI0J/DSC02947.jpg lithuania - vilnius a closeup detail of the ‘vilnius tales’ vessel showing the crushed materials within the porcelain walls. the material was added into the clay and then thrown. as the material runs throughout the clay body there is a feeling of depth to the vessel, some particles come through onto the surface leaving residue. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617486133168-PFQ3IH4QG67HPFWDABNM/DSC03029.jpg lithuania - vilnius for this piece entitled ‘vilnius told’ i have added less refined crushed material, so the pieces are larger and have not been bisque fired. i then added this to some audrey blackman porcelain which i used to throw the walls of the form onto a previously thrown base which has no material added. the results are beautiful, the material has seeped out onto the exterior unglazed surface while in the glazed interior the material has run, giving the exterior a very textured tactile surface. the title ‘vilnius told’ references the use of the previously made ceramics that have been crushed and added to the clay. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607638297757-T3UOZBO8IS9T2QFDDGBD/IMG_6957.jpeg lithuania - vilnius these celebrations, though restrained in nature, showed an upswell of a very deep national pride and identity. one hundred fires were lit along the entire length of the main street, gediminas avenue, in the center of Vilnius. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607643521974-43SMTQ9U6YMBHPUJ1LUK/IMG_7010+2.jpg lithuania - vilnius once the celebrations were over and most people had left for home, i returned in the early hours to gather ashes from the burnt out fires. this collected ash is currently being used within the making of a compositional piece. i am making a one hundred piece composition, some forms have the ashes within the clay and others are crucibles to hold more of the ash - as a celebration of lithuania and it’s people. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1617486352999-TV6RWM7057A2KIQTWYG4/DSC03019.jpg lithuania - vilnius this vessel ‘#100 fires vilnius’ has had some of the ashes and burnt wood added into the clay. this vessel captures a moment of celebration, of national pride and embedding a country and its people within the form. https://www.beverleysommervilleceramics.studio/wales-llanwrst daily 0.75 2020-12-11 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607707145833-ANORC91M3NE67QUQNNUA/IMG_0925.jpeg wales - llanwrst It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607707104734-CGPM2SFLQ5XAKM8FSIRQ/09.llanwrst.jpeg wales - llanwrst It all begins with an idea. Maybe you want to launch a business. Maybe you want to turn a hobby into something more. Or maybe you have a creative project to share with the world. Whatever it is, the way you tell your story online can make all the difference. https://www.beverleysommervilleceramics.studio/taiwan-nomadic-makers daily 0.75 2020-12-14 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1607689541869-GXTG2I00JS6QI55CU2A9/IMG_2286.jpeg taiwan - nomadic makers we know that this is a temporary situation but that only seems to give more value to the making and the time we have - as nomads we know that the time will come to move on, but until then we plan to make, experience, make, connect, make, discover and…..make! https://www.beverleysommervilleceramics.studio/shop-uc daily 0.75 2022-11-16 https://www.beverleysommervilleceramics.studio/wholesale daily 0.75 2022-04-08 https://www.beverleysommervilleceramics.studio/tc-wholesale daily 0.75 2022-04-08 https://www.beverleysommervilleceramics.studio/ldf-taiwan-tales daily 0.75 2023-09-18 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https://www.beverleysommervilleceramics.studio/store/cups monthly 0.5 2022-04-05 https://www.beverleysommervilleceramics.studio/store/hanging-vase monthly 0.5 2022-12-02 https://www.beverleysommervilleceramics.studio/store/jars monthly 0.5 2022-12-02 https://www.beverleysommervilleceramics.studio/store/lanterns monthly 0.5 2021-12-02 https://www.beverleysommervilleceramics.studio/store/pourers monthly 0.5 2021-12-01 https://www.beverleysommervilleceramics.studio/store/red-thread-collection monthly 0.5 2022-12-02 https://www.beverleysommervilleceramics.studio/store/sake-sets monthly 0.5 2022-12-02 https://www.beverleysommervilleceramics.studio/store/tea-lights monthly 0.5 2021-04-03 https://www.beverleysommervilleceramics.studio/store/vases monthly 0.5 2022-12-02 https://www.beverleysommervilleceramics.studio/matter-store daily 0.75 2022-04-14 https://www.beverleysommervilleceramics.studio/matter-store/helsby monthly 0.5 2021-04-04 https://www.beverleysommervilleceramics.studio/matter-store/lithuania monthly 0.5 2021-04-02 https://www.beverleysommervilleceramics.studio/matter-store/taiwan monthly 0.5 2021-12-02 https://www.beverleysommervilleceramics.studio/matter-store/wales monthly 0.5 2021-04-01 https://www.beverleysommervilleceramics.studio/store-1 daily 0.75 2025-10-16 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1f5e9f0f-4f1b-4fa1-8643-7f107c9d31c9/PuP+with+skyline+white+bckgnd2+copy.png https://www.beverleysommervilleceramics.studio/store-1/p/popup3-workshop1-friday-29th-of-august-1000-til-1230 monthly 0.5 2025-10-16 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/1dcbdba7-6ccb-4525-94ba-7dd280c43415/christmas+lanterns.png workshops throughout august - Winter Workshop - Christmas Lanterns - Sunday 23rd November, 11:30 - 14:00 - christmas lanterns.png https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/140f7941-ffac-4589-b7f3-579197a67942/IMG_2815.jpeg workshops throughout august - Winter Workshop - Christmas Lanterns - Sunday 23rd November, 11:30 - 14:00 - IMG_2815.jpeg https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/88df8a04-0d27-4ab5-ad4d-373dc86f6acd/IMG_2869.jpeg workshops throughout august - Winter Workshop - Christmas Lanterns - Sunday 23rd November, 11:30 - 14:00 - IMG_2869.jpeg https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/a06e5a71-03ea-4b55-bd3b-747462f6f67e/IMG_2819.jpeg workshops throughout august - Winter Workshop - Christmas Lanterns - Sunday 23rd November, 11:30 - 14:00 - IMG_2819.jpeg https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/b35ebbfe-af08-4a6c-9ccf-42048b9c2bf0/IMG_2803.jpeg workshops throughout august - Winter Workshop - Christmas Lanterns - Sunday 23rd November, 11:30 - 14:00 - IMG_2803.jpeg https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/2ea598b5-50de-45b6-ad1f-cdf27fb537b5/IMG_2817.jpeg workshops throughout august - Winter Workshop - Christmas Lanterns - Sunday 23rd November, 11:30 - 14:00 - IMG_2817.jpeg https://www.beverleysommervilleceramics.studio/store-1/p/oyhsfmj3r4bbx09yxa6820a36w41gv monthly 0.5 2025-10-16 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/0f8aad3a-72a3-4a23-afbe-769451e6d94c/christmas+decorations+.png workshops throughout august - Winter Workshops - Christmas Decorations - Saturday 22nd November, 11:30 - 14:00 - christmas decorations .png https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/2b706b4c-f03a-4ca2-ae5a-3fcc81be0ced/IMG_2794.jpeg workshops throughout august - Winter Workshops - Christmas Decorations - Saturday 22nd November, 11:30 - 14:00 - IMG_2794.jpeg https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/02a5c7e8-c084-44fa-a48f-39468a9b7298/IMG_2806.jpeg 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https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/2b706b4c-f03a-4ca2-ae5a-3fcc81be0ced/IMG_2794.jpeg workshops throughout august - Winter Workshop - Christmas Decorations - Friday 31st October, 11:30 - 14:00 - IMG_2794.jpeg https://www.beverleysommervilleceramics.studio/store-1/p/popup1-workshop2-sunday-3rd-of-august monthly 0.5 2025-10-16 https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/0308c8ad-7f45-4a3c-b890-3d6c29bd29b2/christmas+decorations+.png workshops throughout august - Winter Workshop - Christmas Decorations - Saturday 25th October, 11:30 - 14:00 - christmas decorations .png https://images.squarespace-cdn.com/content/v1/5fb3a66a2e11dc5b1fa047aa/2b706b4c-f03a-4ca2-ae5a-3fcc81be0ced/IMG_2794.jpeg workshops throughout august - Winter Workshop - Christmas Decorations - Saturday 25th October, 11:30 - 14:00 - IMG_2794.jpeg 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